Video

rn-bff:

adventuresofcomicbookgirl:

Railgun Ending 1 “Dear My Friend”

If an anime is about ladies being bffs, chances are I will be all over it.

Lady bffs seem to be a common theme in anime… Is this an accurate observation?

More common than in western media, it seems, yeah. At least easier to find, and that’s probably why I got into anime to begin with. I’d say this is because there’s more media specifically aimed toward young girls and the fact that magical girl is a genre also helps- all female team of crimefighters necessitates that lady bffs be forefront. And I think that prominence and the fact people responded to it is what makes it more common in anime now. 

And I also do think there’s a cultural thing at work here, but I couldn’t really comment on it.

Judging purely from anime tropes, it’s considered normal for young girls to be intensely intimate with each other and therefore often teased they maybe have a THING for each other ohohoho but it will never be made good on it’s just a fanservice thing to titilate and entice those who are into that, in reality they’ll grow out of it or whatever and move on to focus on men. This isn’t always the case obvs, just a thing that happens in anime sometimes.

Mostly I think it’s the fact that shoujo is a legitimate genre in anime/manga that is for girls and about girls and is just as popular as shonen, so the idea of “HEY LADIES BEING BFFS” will naturally be more of a thing and they’ll even do shonen versions, like with Railgun, because it’s been proven to be popular and even appeal to men (often for skeevy reasons unfortunately, so shonenladybff shows are more likely to have more straightmaleaimedfanservice, Railgun in point). Whereas in western media, “chick flicks” or anything aimed towards girls or about emotional bonds between women is considered inherently lesser and subordinate to the norm rather than an equally legitimate thing all it’s own, so that obviously means stuff focused on icky female emotions will be less common and/or prominent.

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misandrwitch:

damaruhi:

lesbiaaans:

adventuresofcomicbookgirl:

misandrwitch:

we need a shoujo revolution

how come we can see that Japan has a rad thriving comic industry w a large chunk specifically for girls since the 70s and yet here we are in north america like lol what heres some escher girls and a scary bara enjoy

shoujo revolution should be the name of a new art movement or something YEAH.

hey AMERICA HAS STUFF FOR GIRLS like twilight and bratz and ok yeah

america also has disney princesses, which is like an entire industry based around selling junk to little girls. 

thats true!

i just feel like with most of the stuff girls get, like you said, is more about selling kids toys and whatever moreso than having an outlet for girls to have something made for them i guess?

like mlp is really good! its really cute and has a lot of good messages but its partly toy sales isn’t it

i mean i don’t claim to know anything about japanese comic culture tbqh, bc im sure merchandising plays a part

hhhmmmm

merch definitely plays a role in some shoujo but not all of it- Precure and Sailor Moon def got a lot of merchandise and Sailor Moon only really took off after the toys sold well. BUT the majority- Princess Tutu doesn’t have much merch that I know of and how would Utena have much merch “look here is a figure of a car you can have sex with” etc

But mahou shoujo merch is so much better than princess merch to me because they sell you super girly items that you can pretend TRANSFORM YOU INTO as superhero!!!! Princess merch is like :”here you get to be girly” and then there’s merch for boys that’s like “you get to fight evil” but mahou shoujo merch says “fuck that here’s a girly thing that helps you fight evil”. 

the most important thing about shoujo to me is it’s by women for women and we don’t have a lot of that in the USA. MLP is the rare exception and that’s why i think it seems so fresh. But name a shoujo manga and it was written by a women for other women to enjoy. That’s really cool!

And yeah, I mean there’s a lot of not-so-progressive shit presentation of  women in shoujo overall just like over here because everything in the world is sexist, but there’s SO MUCH of shoujo and SO MUCH more variety than we get in comics over here and it’s all by women and that’s the point that I see here? Like mahou shoujo is literally the perfect genre and it belongs to women (no matter how much dudes try t take it over) and wouldn’t have been created without women. It’s because shoujo is so huge a sub-genre like that was created. And there are enough progressive shoujo that it could be a subgenre. And it’s all BY LADIES! that’s a good deal!

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misandrwitch:

we need a shoujo revolution

how come we can see that Japan has a rad thriving comic industry w a large chunk specifically for girls since the 70s and yet here we are in north america like lol what heres some escher girls and a scary bara enjoy

shoujo revolution should be the name of a new art movement or something YEAH.

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The Great Feminist Manga and Anime List: Revolutionary Girl Utena and Adolescence of Utena

adventuresofcomicbookgirl:

This review is of Revolutionary Girl Utena or Shoujo Kakumei Utena and the movie Adolescence of Utena (which is essentially a loose retelling/reinterpretation of the show). I am not reviewing the Utena manga by Chiho Saito, as I have never read them (well, I tried, but couldn’t make it). By all accounts, the quality is lower and the themes and queerness are erased or watered down. Saito’s homophobic comments don’t impress me either.

These are difficult works to review because revealing the true greatness of the series would require basically spoiling the whole plot. Even discussing specific characters or facets, I can’t do them justice without spoiling everything, but I’ll do my best.

The reason Utena has this challenge is because it’s a series that messes with your preconceptions and subverts your expectations. Nothing is as it seems and every character has layers and issues and complexes that will be peeled back as it goes on. Expect heavy symbolism and heavy concepts.

But what I can say about this series is that it is eminently qualified for being part of this review because the entire premise is deconstructing gender roles, examining and criticizing misogyny and turning ism-filled tropes so common in fiction on their head. Also tons of queer characters and themes and commentary on racism as well. This is not just a deconstruction of shoujo- it’s a deconstruction of myth and fairy tale and human psychology in general, and it’s not just a surface look either. It will make you uncomfortable. And it will revel in doing so. I should also note it’s pretty much the only thing I’ve ever seen that sexualizes men just as much as women are generally sexualized. All in the name of deconstruction, of course.

Read More

Link to all the reviews

I genuinely keep forgetting to add this! Also made some minor edits, etc.

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I finished Fruits Basket!

The library didn’t have the last three volumes so I had to rely on a pretty crappy online translation but!

Wow, there were a lot of twists and turns, and a lot of it wasn’t even remotely remotely believeable but that’s all right. It makes it one of those stories you can’t stop reading because what the fuck even. Everyone having a super convoluted backstory is REALLY FUN FOR ME. TOHRU ACTUALLY HAD HER BEST FRIENDS ACCOMPANY HER ON HER FIRST DATE WHICH IS PERFECT BTW. Like, man I love Saki and Arisa so much FAVORITES. 

I also love that Kyo actually straight up says that every girl he knows has Tohru as their favorite person and like should he be jealous. glad you notice Kyo the answer is yes.

Good shoujo manga you are so good to me.

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That was the best school play of Cinderella possible

“So, Cinderella, what is it you truly wish for?”

“…I want to manage a yakiniku shop with onee-sama”.

“…she’s never gonna let that die”

“And so Cinderella chose a path with no princes. And her yakiniku shop was blessed with good business. After proving that a woman can live a full life without mairrage, she most certainly lived happily ever after.”

NO ONE EVER TOLD ME THAT FRUITS BASKET WAS THIS FUCKING FLAWLESS ASDFGHJKL;

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The Great Feminist Manga and Anime List: Revolutionary Girl Utena and Adolescence of Utena

image

This review is of Revolutionary Girl Utena or Shoujo Kakumei Utena and the movie Adolescence of Utena (which is essentially a loose retelling/reinterpretation of the show). I am not reviewing the Utena manga by Chiho Saito, as I have never read them (well, I tried, but couldn’t make it). By all accounts, the quality is lower and the themes and queerness are erased or watered down. Saito’s homophobic comments don’t impress me either.

These are difficult works to review because revealing the true greatness of the series would require basically spoiling the whole plot. Even discussing specific characters or facets, I can’t do them justice without spoiling everything, but I’ll do my best.

The reason Utena has this challenge is because it’s a series that messes with your preconceptions and subverts your expectations. Nothing is as it seems and every character has layers and issues and complexes that will be peeled back as it goes on. Expect heavy symbolism and heavy concepts.

But what I can say about this series is that it is eminently qualified for being part of this review because the entire premise is deconstructing gender roles, examining and criticizing misogyny and turning ism-filled tropes so common in fiction on their head. Also tons of queer characters and themes and commentary on racism as well. This is not just a deconstruction of shoujo- it’s a deconstruction of myth and fairy tale and human psychology in general, and it’s not just a surface look either. It will make you uncomfortable. And it will revel in doing so. I should also note it’s pretty much the only thing I’ve ever seen that sexualizes men just as much as women are generally sexualized. All in the name of deconstruction, of course.

Read More

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coroebus replied to your post: Thoughts on Fruits Basket

YES! Fruits Basket is GREAT, shoujo manga is GREAT, everything is wonderful!

Yeah, I don’t care what anyone says, I love me some good shoujo manga. I know there’s bad shit out of there, but when it’s good it’s so good, stuff that really values girls as consumers and respects their intelligence. I hate when people act like adding shonen elements to a series automatically makes it better. A lot of shonen could use a few shoujo elements, to be honest.

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Thoughts on Fruits Basket

So first of all, wow, this shit can get dark. I always think it’s funny people think shoujo manga is all fluffy romance and rainbows, when even the most popular shoujo manga seems to have like, horrible abuse, people getting blinded, small children getting the shit beaten out of them and psychological drama.Shoujo can be a lot more intense than shonen, is what I’m saying. Every single character in this manga has issues upon issues.

Also l love that even though this manga puts a lot of emphasis on Tohru’s relationship with the boys and it’s about romance and stuff, there’s an equal emphasis on the importance of female friendship and relationships? Tohru adores her Mom so much, and holds her up as like, her role model and the person who made her who she was. She’s always quoting her Mom’s wisdom and looking to her Mom for comfort, and she’s determined to make it through high school for her Mom. And her mother’s not conventional either, she’s an ex-gang leader who was a legendary asskicker, but totally devoted herself to her daughter and became a loving responsible person. And then Tohru already has two best girlfriends who love her to death and would do anything to protect her, and they get chapters about how they met and came to love each other and even as the manga goes on, Tohru still consistently treats them as just as important as her love interests and sneaks into dangerous places to help her pining friend the same way she goes all out to help the boys. And Kagura knows Kyo likes Tohru instead of her, but doesn’t resent Tohru for it and they’re friends.

And you know, I see a lot of this in shoujo manga? Even romance stuff has such an emphasis on postive relationships between women? And women thinking of each other as pretty or admiring each other? I wonder if it’s the culture or the genre or the fact it’s written by women…certainly, since it’s considered normal in Japan for young girls to have crushes on each other (though they’re expected to “grow out of it”), that might account for the fact girls freely think of each other as cute and gush over each other’s prettiness instead of it being cause for jealousy. It’s just interesting.

I also think this is an example of a love triangle not really being annoying, and I think that’s because (so far) Kyo and Yuki haven’t fought over Tohru or pressured her to pick one of them. And that’s really the element that makes love triangles annoying- the entitlement, the forced drama, the misogyny. We either have dudes pressuring the girl, forcing a girl into a decision, kissing her without her permission, saying “hey I’m entitled to your love” (Twilight, Hunger Games) and yet if the guy’s the center of the triangle, he totally gets away with playing around with the two girls (Korra). But Yuki and Kyo are just happy to be around Tohru because she’s such a good friend, and even though they’ve both admitted to themselves they love her, and they fight over literally everything else they’re not fighting over who “gets” her. Like, they respect her too much for that. Nor are they pressuring her- Kyo even said if she falls in love with someone, he’ll cooperate. This might change since I’m only on volume 13 but, so far, I really like that aspect.