Link

Here’s the Wordpress version of my Sailor Moon thesis! IT INCLUDES THE ENDNOTES so if you want to see those go to this version.  No idea why it’s blue and some formatting weirdness but otherwise cool.

Here’s my updated annotated bibliography.

This thesis is painstakingly researched, for real. It basically covers three major things: gender presentation in Sailor Moon, queer presentation and dub censorship. It compares the anime and manga and goes into the history of the magical girl genre, quotes from Ikuhara and Naoko, tons of academic sources, all that. There are several sections, labeled with titles like “Jumping around in a Short Skirt”: Power in the Feminine” and “Girls and Cousins Too”: Queer Censorship in the Dub” so it’s easy to tell I’m a giant dork. There’s also pictures and all.  In reality it averages to about 35-36 pages double spaced (w/o pictures). So it is long.

Link

Here it is! For some reason the google doc leaves off the end notes and also formats it weird. But I’ll try to reformat it on Wordpress sometime in the near future. In the meantime, here’s my updated annotated bibliography.

This thesis is painstakingly researched, for real. It basically covers three major things: gender presentation in Sailor Moon, queer presentation and dub censorship. It compares the anime and manga and goes into the history of the magical girl genre, quotes from Ikuhara and Naoko, tons of academic sources, all that. There are several sections, labeled with titles like “Jumping around in a Short Skirt”: Power in the Feminine” and “Girls and Cousins Too”: Queer Censorship in the Dub” so it’s easy to tell I’m a giant dork. There’s also pictures and all. It looks longer than it is mostly because of the added pictures and formatting ish, in reality it averages to about 35-36 pages double spaced. So it is long.

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wow. WOW. W O W.

so this animation class I’m taken? We’ve spend ten weeks on disney and warner bros and all that shit. Talking about Disney’s childhood and who his bffs were.

The anime lecture was ten minutes long. Ten minutes. TEN. For an entire fucking country’s animation work! While we got ten HOUR LONG lectures sucking Walt Disney’s dick!

This is what the lecture was too- Osamu Tezuka, Speed Racer (because he admitted it was the only anime he ever watched), Studio Ghibli

Then we switched to a lecture on South Park and Family Guy

Family Guy got more slides than Hayao Miyazaki. FUCKING FAMILY GUY.

Seriously, nothing about genres, nothing about culture and cultural impact

nothing about even about stuff with the anime fandom in the West, sub vs dub, or Americanization! Nothing about the anime boom in the 90s

Magical girls? What are those! Mecha? who cares! Satoshi Kon? Who cares! 

IT’S NOT FUCKING WALT DISNEY SO WHO GIVES A FUCK.

What’s even more insulting was he called BOTH Tezuka and Miyazaki “the Japanese Walt Disney” and I raised my hand and pointed out Miyazaki hates being called that.

His response? “I don’t care, I’m going to keep doing it”

sure whatever who cares if Miyazaki doesn’t want to be called “the Japanese version of a famous white guy” let’s not give him any fucking respect, even if he makes stuff ten times better than anything Disney is currently churning out.

Of all the bullshit. He couldn’t even pronounce Miyazaki’s name. IT’S not a REALLY HARD NAME TO PRONOUNCE?

Just change the class to “American Animation and one other country gets ten minutes” it would be more honest.

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so no. 6

Since I’m stalling on preparing for my job interview and I promised my THOUGHTS.

Okay like, I was totally with this show till the last two episodes…like, it wasn’t AMAZING or anything, but it did what it was doing well enough and the relationship between Scion and Rat was interesting and full of conflict.

But everything felt very rushed at the end- Scion going into a psychotic yandere emotionless rage spiral all of the sudden was very abrupt. YANDERE EYES!!! It almost became a parody of itself at a couple points. It’s not that it wasn’t foreshadowed somewhat in the show that he has weird yandere rage tendencies (APOLOGIZE TO HIM!!!), but it just felt like it was all happening too fast. I mean, I’d probably have a nervous breakdown if I had to climb a pile of dead bodies too and then saw the dude I was all into on get shot, but I felt the show could have executed it better. That’s all subjective, and maybe I wasn’t in the right mindframe at the time.

The world building of the show and basic plot didn’t come together very well. I had no idea what this angry bee goddess’s deal was (they tried to use her to kill people and she got mad and…did what they wanted? But then asked that shit be blown up? then light and songs and?) and what exactly was up with Rat’s backstory, or what was up with Scion’s mom being one of the founders. I imagine this all is explained better in the light novels, but it’s not an interesting enough premise for me to bother to read about it, esp with the lack of ladies.

I have no idea why Safu had to die, it just seemed like forcing tragedy for no reason. Why did she have to be blown up with the computer? Why did Rat not attempt at all to think of other options? I felt like I was missing something the entire conversation. Regardless, I found it pretty gross that the show engaged in the oldest cliche in the book of having a female character captured, possessed  and then destroy herself for the dude she likes, though he likes another dude, but he will now feel guilt and manpain about her *tragic hopeless love and sacrifice***!!! Yeah, you don’t have to sacrifice a female character on the pyre of tragic gay love, it’s stale and it’s stupid, especially when you didn’t even bother to develop what was happening enough for it have any impact or make sense. She literally had to die so these guys may live. STEP ASIDE, LADIES.

And then the final scene, which again was really rushed and felt like forcing tragedy for the sake of tragedy. Like Scion is vaguely bummed that Safu was sacrificed on his altar, Rat kisses Scion and then he’s suddenly gone? Like whoa hey what happened where did you go, I was so confused. And then Scion is just like ~~We’ll Meet Again~~ and I’m like “WHEN DID HE LEAVE AND WHY???” 

(also the novels confirm that Scion only thought of Safu as a friend, could not return her feelings on account of being gay- the anime was more vague on that for some reason. Sucks 2 b Safu)

I looked up the light novel, and yeah, it’s executed a bit more sensically there with Rat being like ***I believe in the city you will build you have work to do and I have to wait until you’re finished because of reasons I will hold you back remember Safu entrusted you with shit I’ll be back boo*** and then there’s an epilogue and he opens the window for Rat to come back. Fairly cliched but at least not CONFUSING and trailing off into nothingness like the anime did.

But hey! Gay characters with actual somewhat nuanced conflict in their relationship treated casually and respectfully, I can see why people like that and it was interesting all up until those last two eps. I give the show my blessing on those counts, but not on the ladies and plot side of things.

I found DogKeeper (Inukashi) to be a really interesting character. Kid raised by dogs, has a ridiculous army of dogs, obviously suffered a lot, dedicated to surviving above all else, anger issues, still very vulnerable and childish, often torn about what to do, pretty bamf

image

Have a weakness for angry children and I liked the character design.

An interesting aspect about the character was the ambiguous gender identity. In the anime, Inukashi’s pretty androgynous, but seems to present as and be referred to as male (that might have just been subs tho)- but then there’s a part where Inukashi’s upset and crying and Scion feels his shoulders while hugging him, and then with surprise goes “You’re a…”. Looking it up, in the novels and manga Scion is explicitly noting the shoulders were slender. So like, it’s left ambiguous and there’s nothing to stop me from reading Inukashi as trans, and in fact the work gives ambiguous evidence for that, so cool!

So yeah, I find the character pretty fascinating- I’d have liked to learn more about him and would totally love to watch an anime about this brat and his army of dogs. Like who abandoned him? How did he even learn to talk and socially interact? Sadly, he was just a side character so we didn’t learn much. 

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So what am I watching/reading now? A LOT APPARENTLY

Doki Doki Precure (as it airs)

Chihayafuru (as it airs)

Attack on Titan (as it airs and holy shit is it gorg gonna post on it in a minute)

No. 6

I’m reading Attack on Titan (at first I was so confused then I watched the anime which was paced better and gave more information upfront so now I feel comfy reading ahead) and I have to finish Emma at some point

Current other manga series I have been following are:

Silver Spoon

Princess Jellyfish

Wandering Son (both online and buying published volumes)

Bride’s Story (as it comes out in the US)

A Certain Scientific Railgun (as it comes out in the US)

I’m also following Claymore I guess but I’m a bit behind and not enthusiastic about it ehhhh

I’m taking advantage of Crunchyroll and will probably look a Durarara after I finished No. 6

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I mean I’m sure there were things that could have been done better, but I honestly have no idea WHAT to say since I know nothing about the context this comes from- I don’t know what it’s like to live in a country where 99% of the population is the same race, I don’t know what it’s like being a majority minority, I don’t know any of the nuances of the relationships between ethnically Japanese people who grow up in Japan and people who aren’t ethnically Japanese but grew up there. I don’t know what it’s like to be on either side of the equation. So that’s why this episode was fascinating to me, because it’s just the slightest peek into those dynamics and it’s clear the show put a lot of thought into how to handle it.

Like the fact the opposing team tried to take advantage of their foreigness as a strategy, the fact Chihaya’s team had to really adjust to the idea of not-ethnically-Japanese people playing karuta, and were clearly confused by the distinction of “ethnically Japanese” and “grew up in Japan”, the thing with…uhh i can’t remember his name lip-licking kid being intimidated because “there are no black people in Hokkaido!” and then the narrative making a little note “HE IS LYING” meaning the show actively knows he’s being ignorant and silly…and then showing that this kid was not scary or intimidating at all and so lick lipping kid obvs has to reevalute his assumptions.

Then there were things like Kana being frustrated the girl doesn’t know how to put on a kimono correctly (the implication being she’s not used to wearing one I guess) but they bond over liking the poems! And the Empress obviously being angry about the “blond samurai” bit!

There was a lot of things going here and it was clear the show (or rather mangaka I guess? Idk how close an adaption this show is) was aware of how complex the situation was, so overall, I think it was REALLY INTERESTING!!! I would have liked to see even more.

Anime can be fascinating and informative.

Photoset

look it’s adaptions of works by my two fave mangakas in the same lineup :’)

Video

A presentation for my WGSS class. For some reason the text got all messed up. Ah well, it’s still readable

basically and overview of “HEY THESE AWESOME LESBIANS! the dub censored them. AREN’T DUB SCENES HILARIOUS. SCORNING WOMEN IS POSITIVELY FEUDALISTIC. The dub…censored that too? RUN MISOGYNISTS OVER WITH A PLANE”

i think that gives you an overview of the depth and nuance yes.

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Okay the point of satire is to make us think and to tear down the concept.

But like if you’re parodying fanservice, yet STILL OBVIOUSLY PANDERING TO DUDES WITH THAT VERY PARODY it’s like “…?” it’s not impressive to me.

Like, if it was really satire, you parody fanservice in a way that makes the intended audience NOT turned on. Makes it clear “hey this is dumb”. 

Just like, doing it but also making tongue in cheek commentary or doing it in a super extreme way it’s like, no, that’s just being self-aware. Which is okay and all, but you’re still doing the same old shit, you just know what you’re doing.

I guess someone bought it up irl today that like “you have to admire the bullet dodging boobs in high school of the dead just because it’s so like wow  someone did that”.

And the fact someone did that is just more like…eyerolling to me than impressive? Like duh, of course someone did that. like those kindsa shows have ever given a fuck how boobs work. It’s not much of a stretch to me that something’s that ridiculous I guess. Par for the course. You’re not going to find a show where a bunch of women objectify guys to such a ridiculous exaggerated extent just for the sole purpose of girls getting off. I can’t really admire suchathing even on a joking level because “welp that stuff makes it because dudes y know they like to do whatever with boobs moving on…”

Video

rn-bff:

adventuresofcomicbookgirl:

Railgun Ending 1 “Dear My Friend”

If an anime is about ladies being bffs, chances are I will be all over it.

Lady bffs seem to be a common theme in anime… Is this an accurate observation?

More common than in western media, it seems, yeah. At least easier to find, and that’s probably why I got into anime to begin with. I’d say this is because there’s more media specifically aimed toward young girls and the fact that magical girl is a genre also helps- all female team of crimefighters necessitates that lady bffs be forefront. And I think that prominence and the fact people responded to it is what makes it more common in anime now. 

And I also do think there’s a cultural thing at work here, but I couldn’t really comment on it.

Judging purely from anime tropes, it’s considered normal for young girls to be intensely intimate with each other and therefore often teased they maybe have a THING for each other ohohoho but it will never be made good on it’s just a fanservice thing to titilate and entice those who are into that, in reality they’ll grow out of it or whatever and move on to focus on men. This isn’t always the case obvs, just a thing that happens in anime sometimes.

Mostly I think it’s the fact that shoujo is a legitimate genre in anime/manga that is for girls and about girls and is just as popular as shonen, so the idea of “HEY LADIES BEING BFFS” will naturally be more of a thing and they’ll even do shonen versions, like with Railgun, because it’s been proven to be popular and even appeal to men (often for skeevy reasons unfortunately, so shonenladybff shows are more likely to have more straightmaleaimedfanservice, Railgun in point). Whereas in western media, “chick flicks” or anything aimed towards girls or about emotional bonds between women is considered inherently lesser and subordinate to the norm rather than an equally legitimate thing all it’s own, so that obviously means stuff focused on icky female emotions will be less common and/or prominent.